Mike Peter Smith : Void Thoughts on Remote Time
Jeff Bailey Gallery
New York, NY
9 October - 10 November 2007

by Rea Cris


Mike Peter Smith's predominant material is the human skull which he crafts and morphs to present a whole new way of approaching our own anatomy, in the same manner as Jessica Harrison does with human teeth. What we imagined was immutable has been turned on its head.


The exhibition is a mixture of cabinet of curiosity fakes, horror movie special effects studio and anthropological discoveries. A totem pole of mutated skulls crawls towards us on its spidery fingers. Human, duck and raccoon skulls are assembled together reminiscent of the alleged "merman"; the skeleton of a baby attached to a fish. Miniature habitations and palm trees sprout from crushed relics. We recognize and identify elements of our skulls, but are equally tempted into believing in the existence of new creatures; are they human, alien, reptile or dinosaur? Are they from the past or what we will resemble in the future? These pieces suspend us in time.


Peter Smith's work is a humorous approach to the memento mori, reminding us that we all will die, but also know how to laugh.

 

http://www.baileygallery.com/

http://www.artistsspace.org/webspace/2005/may05/mike.html

 
 

 

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