Misako Inaoka: The Origin of Species
Stephen Wirtz Gallery
San Francisco, CA
5 – 29 September 2007


by Tonya Warner


Misako Inaoka’s work centers around two key themes: the miniature & artificial nature. She creates delicately detailed pseudo-natural forms with a great attention and care towards their display. For her exhibition at Wirtz, Inaoka’s attention to detail is evidenced throughout – from her creatures themselves to the twisted tree branches sprouting from the gallery walls, to the plaster hooves footing small tables. She even went so far as to assign and hand type invented Latin genus and species names to each animal in her menagerie.


Entitled “The Origin of Species,” the show mostly features deformed or half-evolved creatures made from plastic song birds and other toy parts; many will still move and chirp when activated by their motion sensors. With her use of vitrines and typed labels, the artist appears to be drawing upon the current fascination with 18th century Kunstkammers, or cabinets of curiosity. The cabinets were more rooms than pieces of furniture and were intended to display specimens from the range of the natural world, with an emphasis on the exotic and unusual – including, of course, medical oddities. This fascination with the anomaly seems to be perfectly expressed in Inaoka’s creations, who sometimes sport two head, or no head at all.


Still, she does all this with a certain lightness and humor, turning the animals from unfortunate science experiments into endearing and yet damaged creatures you want to take home and nurture. The fact that some are allowed to still move and sing only increases the fascination and humor inherent in these little oddities. The artist invites us to be taken in by these figures and their minute details, encouraging us all to stop and take a closer look at the world around us.

 

bio - http://wirtzgallery.com/exhibitions/2007/2007_09/inaoka/inaoka_2007_frame.html

http://www.ktvu.com/video/14053678/index.html

www.misakoinaoka.com/

 
 

 

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